Statue of a Seated Woman from 101 CE–200 CE. “Here the figure’s head and arms, now missing, were made separately and attached by means of dowels, the holes for which are visible.” This was a kind of template (one of a few) for noblewomen, goddesses, and other exalted female figures.…
Visions of Eternity, 1939
Oil on canvas
The Red Armchair, December 16, 1931
Oil and Ripolin on panel
The Old Guitarist, late 1903–early 1904
Oil on panel
Sky above Clouds IV, 1965
Oil on canvas
Relational Painting, No. 82, 1957
Oil on canvas
Portrait of the Artist’s Sister, 1891
Oil on canvas
Orange and Yellow, 1956
Oil on canvas
La durée poignardée (Time Transfixed), 1938
Oil on canvas
Greyed Rainbow, 1953
Oil on linen
Drawing Room Cabinet, 1871/72
Walnut, ebony, boxwood, thuya, maple, and other woods, gilding, and lacquered brass mounts
Composition (No. 1) Gray-Red, 1935
Oil on canvas
Signed and dated, l.r.: 'PM 35'
Untitled (Purple, White, and Red),
Oil on canvas
Reduction I, 2013
Molded and cast porcelain with cobalt blue and green under clear glaze and Silver Mist
Shūkongōjin, 12th/14th century
Wood with traces of polychromy
Kate S. Buckingham Endowment
N.Y.C. (5 cent soda), 1939
Gelatin silver print, printed 2000
Keys to the Coop, 1997
Linocut on white wove paper
Restricted gift of Dr. and Mrs. Paul Sternberg, 1997.433
Georgia O'Keeffe, 1919
Palladium print
From the Alfred Stieglitz Collection, 1949.745
The Key, 1946
Oil on linen
Shinto Deity in the Guise of the Monk Hyeja, 12th Century
Wood with traces of pigment
Kate S. Buckingham Endowment, 2002.22
Leda, 1920
Marble
Le Ratapoil, modeled 1851 (cast after 1925)
Bronze
Celestial Beauty (Apsara), 12th Century
Buff sandstone